One-Minute
Time Machine is a short film directed by Devon Avery and written by Sean
Crouch. This film was actually created on a very short budget of $1,000 USD,
produced by the production company ‘Empty Box Productions’ and won seven wins
and three nominations as an independent film. The film has gained a surge in
popularity on the video sharing website, ‘YouTube’, which went viral and
amassed 2.9m viewers. The genre for this film is comedy and romance due to the
comedic and romantic elements retaining from the two contrasting characters and
the object that brings their encounter together, the one minute time machine. However
I could also argue that this short film does harbor sci-fi elements which lead
to this film’s sub-genre, science fiction, judging from the main subject of the
film that’s used that is a fictional time machine.
Themes
explored within this short film include happiness and lusts, deriving from the
failed attempts of James’ pick-up lines resorting to using time travel to
restart the communication between the two in an attempt of trying to initiate
sexual chemistry between Regina and himself, thus leading to a potential
relationship. However as the narrative continues to progress, James is unaware
of his actions from continuous attempts of pressing the red button on the one
minute time machine to go back in time, which leads to the downfall of the
protagonist until Regina takes control of the time machine. Here she uses it
against him in favour of bringing him back to his past self. I feel that the
director uses this narrative technique as a great plot device to keep changing
back the plot, making it stay on the course of what the audience wants.
At the
beginning of the film we are introduced to the title sequence which states the film’s
title along with the audio codes, the non-diegetic sound of a piano melody is
there in order to create an upbringing positive mood which is a convention o f
comedy and romantic genres, therefore connoting how the narrative that will
follow. The editing in the title sequence fits the narrative of the film as the
visual effects the audience is presented with is a zoom into a traditional
clock system which additionally connotes what the narrative is about; the protagonist
transporting back in time. This non digetic sound is also coherently used when
James learns about the consequences of using the time travel machine from the
information the book had provided Regina with. The editing used here shows very
quick/frequent two shot camera techniques of James dead in a series of parallel
universes that the director uses to show Regina’s different reactions to him dead
on the bench, presented in a comedic style to make the audience laugh. The
editing of these shots being fast paced and quick cut techniques used is well
employed as it gives the audience the chance to laugh frequently.
Right after
the title sequence a two shot is shown of both the actors within the film,
James and Regina. This type of shot is taken to show the contrast between the
two, while there to take note of what type of clothing the characters are
wearing which foreshadows what personality they both have and what object they’re
holding, lastly what environment the film is set in. From this shot alone we
can notice from the visual codes that James is wearing a casual style of
clothes that connote his casual
personality while Regina has the smart look to possibly show dominance in the
future conversation that they have and has a further emphasis her social status
in society. From this we can presume she is on her work break and James has
free time on his hands, not busy at all.
Both
protagonists carry an object with them from the start of the film that would
act as an important asset for the narrative of the film later on. The book is
used as a tool for both Regina and James to relate to each other throughout the
film, as the book she was reading is a science book based on time travelling,
while coincidentally James uses a time travelling device with the motive to
possibly fulfill his sexual desires.
This film is
therefore a non-linear narrative as the basis of the film is to continuously manipulate
time and space, ultimately leading to a chain of past and future events that
have already taken place within the films world.
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