COULSDON COLLEGE: MEDIA TEXT INFORMATION
SHEET
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TITLE:
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The Breakfast Club
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YEAR OF PROD:
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1985
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TYPE:
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FILM
X
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TELEVISION
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DOC.
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MUSIC
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ADVERT
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MUSIC
VID.
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OTHER:
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DIRECTOR
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John Hughes
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PRODUCER
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John Hughes
Ned Tanen
Michelle Manning
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WRITER
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John Hughes
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PRODUCTION COMPANY
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A&M Films
Channel Productions
Universal Pictures
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KEY CAST
/ARTIST
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Emilio Estevez, Judd
Nelson, Molly Ringwald, Ally Sheedy, Paul Gleason and Anthony Michael Hall
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KEY CREW
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GENRE
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Comedy
Sub-genres: Romance
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BUDGET
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$1,000,000
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BOX OFFICE
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$38,100,000
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THEMES
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Love, happiness and
sadnesss.
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AWARDS
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MTV Movie Silver Bucket of
Excellence Award - Judd Nelson and
Anthony Michael Hall.
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NARRATIVE:
The narrative for this film
is a linear narrative structure. The narrative follows five high school
students from Shermer High School in Illinois, USA, who have been sentenced
to detention on a Saturday weekend for nine hours. All five students have
nothing in common with different personalities that one would find extraordinary
to see them associate themselves with each other. As stated by Andrew Clark at the end of the
film before the credits, “each one of us is an athlete (Andrew), a basket
case (Allison), a princess (Claire), a
criminal (John) and a brain (which is Brian). During the detention they are
tasked with writing a one thousand word essay issued from Mr. Vernon who is
the school principal. However the delinquent John forces all four of the
teenagers to communicate with each other by initiating conversations through
arguments which strings them together and leads to laughing about it and
getting along with each other while causing havoc in the school.
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KEY SCENES:
The key scenes to this film
are when the delinquent tries to trigger the Mr. Vernon’s anger due to how he
removes the locket from his heavy wooden door next to the detention room
which prevents the principal from keeping a good eye on the five teenagers.
This action provides the audience with great insight into the principals
personality as by viewing how the principal treats the students after this
incident in turn suggests that the principal is no better than the delinquent
John, because of how the principal bullies the students and shows hostility
within the character and how he thinks about himself with such greed. From
this first scene we can deduct that Mr. Vernon is the antagonist of the film;
not the delinquent John.
Other key scenes are when
each individual protagonist explains their backstory to the other characters;
this creates an emotional attachment to the characters so the audience can
inhabit a better understanding of them.
Ending scenes when each
protagonist leaves the detention/school we get to see how they live their
lives from then on. Each of them all seem different to when they first came
into detention which leaves a positive impact on the audience as we know what
they’re all enjoying themselves more from when they started and generates an
idea that the students had learnt their lesson from being in detention,
however not through the teachers guidance, but from their own. David Bowie’s
quote at the beginning of the film in the credits further emphasises this to
quote “And these children that you spit on as they try to change their
worlds; are immune to your consultations, they are quite aware of what they
are going through."
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COMPARABLES:
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PROGRESSION OF KEY
CONTRIBUTORS:
Universal Productions has
gone on to producing thousands of award winning films since 1985 and has
since become a distributor and a special effects company.
A&M Films had only
produced films up until 1996.
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ANY OTHER BUSINESS?
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Monday, 19 October 2015
The Breakfast Club: Film Sheet
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